panopticon band politics

panopticon band politics

According to the liner notes, "A portion of the profits from this record go to families in crisis and abuse victims.". Prepare for a magnificent journey in the double album experience that is,... Michael Pementel April 12, 2018 Where our labour goes will make a lot more sense in this next part, so buckle up. It focuses on both the environment and workers to criticise capitalism and its inherent consequences. There’s even a reference to these rougher old days in Panopticon’s ‘Come All Ye Coal Miners‘, in the third verse: “I was born in old Kentucky But the truth of the matter is that politics are very personal to me and very emotional to me. Panopticon is named after utilitarian philosopher Jeremy Bentham's concept for a prison, which implies a surveillance state. This means that anyone on the watch can observe everything that goes on in that place. All suggesting a sort of fetishization of the natural world, imagining it as a realm of the earth where people can be animalistic and free; unbound by society’s restrictions, kinda like a musical Henry David Thoreau. Learn how and when to remove this template message, "Exclusive Interview: Austin Lunn of Panopticon", "PANOPTICON to Perform Live at Migration Fest", "Panopticon: Autumn Eternal Album Review", "Natures With No Plagues: Interview:Panopticon", https://en.wikipedia.org/w/index.php?title=Panopticon_(band)&oldid=942616749, Pages using Template:Infobox musical artist with unknown parameters, Articles needing additional references from January 2019, All articles needing additional references, Wikipedia articles with MusicBrainz identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 25 February 2020, at 19:39. No, he supported Stalin. Bulldog gravy and corn bread”. The core of the Participatory Panopticon concept was that functionally ubiquitous personal cameras with constant network connections would transform much of how we live, from law enforcement to politics to interpersonal relationships. In the liner notes, Lunn encourages listeners to watch the film. Snow Burdened Branches - long sleeve shirt $ 25.00 25.00. In a Smithsonian article about conservatism and bluegrass, Geoffrey Himes writes about how songs like ‘Cornbread and Creek Water‘ were originally critical of the working-class diet that wasn’t enough for anybody to survive off. Going back to Marx, even he understood the violence that unrestrained capitalism dolls out on the environment, writing that: “Capitalism tends to destroy its two sources of wealth: Nature and human beings”. Stalin and the USSR didn’t affect him, but rampant capitalism did, and radical communism provided a road map out of that extreme poverty. Take Fauna, for instance. There are at least four artists named Panopticon: 1) Panopticon is an atmospheric black metal band created by Austin Lunn. While printed lyrics still don't appear in the packaging, there are explanations for the concept behind the album and every song. Panopticon's sides of both split albums have not had their lyrics released. Panopticon is an atmospheric metal band that blends elements of black metal, dark metal and melodic death metal with American folk music, post rock and progressive rock elements. ...On the Subject of Mortality is Panopticon's third album, though its material was initially released on split CDs with the Cedar Rapids, Iowa-based band When Bitter Spring Sleeps and the Courtenay, British Columbia-based band Skagos. Lunn is himself an anarchist, and political themes underlie many of the band's releases. At least, not in an immediate, do-or-die sort of way. The first part features metal inspired by Nordic bands like Bathory and Windir (the third song is directed to Windir's Valfar). It also incorporates a lengthy three-part suite inspired by progressive rock. Austin Lunn, the man behind Panopticon, was born in the state of Kentucky. There are plenty of apolitical bands as well; Necromantia, Rotting Christ, Whoredom Rife, Fin, etc. A debate platform on political issues run by two flatmates and friends. PaNoPTiCoN is an on stage only collective of musicians (from 5 up to 11 musicians playing all together) with a unique concept. Panopticon's newest album is an easy contender for album of the year. On a different note, another theorist who helps us understand the politics of this record is Murray Bookchin. Panopticon is a black metal band created by Austin Lunn. Music is entertainment, but I like to think that it is driven by history and my beliefs and values. Standing for “Red Anarchist Black Metal” for the uninitiated, other notable bands in this far-left genre are Iskra and American black metal legends, Wolves In The Throne Room. Archetype 7. Roads to the North coincided with Lunn's move from Louisville, Kentucky to rural Minnesota, and reviewers have noted a substantial melodic death metal influence on the album. One of black metal’s more recent approaches is with a very niche genre called ‘space black metal’ or ‘cosmic black metal’, but the more important movement for this piece – if you could even call it a movement – is the Pacific North-West scene centred around Washington and Oregon. Panopticon. And that’s pretty rad in my book. In another example, the title for ‘Killing the Giants As They Sleep‘ describes mountains as “sleeping giants”, a common way to depict the peacefulness of such landscapes, but then goes into detail about how these mountains are “killed” through mountaintop removal by those who only see mountains for the resources they contain. Panopticon is a black metal band created by Austin Lunn. As much as country music is associated with right-wing conservative politics that wants you to support the troops, praise Jesus, drive big cars, and eat your goddamn cereal, it has a history full of figures who rebelled against the government in numerous ways. “No neutrals” frames the worker’s struggle as “you’re either with us, or against us”, which is a core tenet of Marxism. Reading the struggle of coal miners – some who he may well know or may even be related to – as a broader metaphor does risk ignoring the personal stake that Kentuckians and West Virginians have in fighting for rights against their bosses. For all of you Orwell fans who love referring to the dystopian government organisations in 1984 like the “Ministry of Truth”, one of Guthrie’s friends, Pete Seeger, was even blacklisted by an American organisation called the House of Un-American Activities Committee. The Lay Of Grimnir 6. Kentucky, Panopticon's fifth album, is sometimes regarded as its commercial breakthrough. The album gains more Marxist significance if the struggle between miners and mine owners is interpreted as a synecdoche for the fight between workers and capitalists. Another reference to social ecology is in an interview during the documentary, Harlan County USA, in which a man states that mine operators treat workers as disposable; treating the landscape itself as disposable too. You’re the son of an oppressed worker, your father is an oppressed worker, and unless something is done, that cycle will go on until the end of humanity. Panopticon is an atmospheric, one-man black metal/folk band from Louisville, Kentucky, USA, started in 2007, now located in Minnesota, USA. Musically, this 2012 Panopticon LP is a rather weird yet interesting and effective combination of old-school American bluegrass folk and long-form black metal. Lunn donates some of the proceeds from the album to the Listening Point Foundation, a group dedicated to preserving Olson's legacy. The structure was created by Jeremy Brenton in 1791. In addition to sounds typical to heavy metal music, such as distorted guitars and rapid drumming, Panopticon also inc… The Vestiges split incorporated a cover of Suicide Nation, while Brotherhood was inspired by time Lunn had spent in Norway with Falls of Rauros and as a result is more strongly influenced by second-wave black metal than Panopticon's usual fare. All instruments,lyrics and compositions by A.Lunn unless otherwise noted. Varg Vikernes (Burzum) has basically dedicated his entire Youtube channel to doing just that; espousing his wack and extreme political views in the process. *FREE* shipping on qualifying offers. Panopticon’s main figure, Austin Lunn, is open about his anarchist politics, the way that regionalism plays into his worldview, and how it is connected to struggle. So why is this important when I’m not talking about war? This article from People’s World references all sorts of song names, like Satyricon’s ‘My Tribute to the Winterland‘ and Behemoth’s ‘My Winter Kingdom‘. Panopticon's next split releases were with the Washington, D.C.-based band Vestiges and the Maine-based band Falls of Rauros (entitled Brotherhood; Lunn had contributed drums to Falls of Rauros' 2011 release The Light That Dwells in Rotten Wood, recorded when the band did not have a permanent drummer). I know all about the pinto beans Staying true to this breakneck creative pace, Austin Lunn is mere weeks away from dropping Panopticon's sixth LP, the enthralling and resonant Autumn Eternal. This is where Panopticon, and country music more broadly, comes in to the picture. I’d argue that ‘Kentucky‘ is a Marxist album, particularly when it comes to the existence of the historical class struggle. So this album is obviously very meaningful to him in a personal way, I assume. While he remains the driving creative force, Panopticon has since expanded to include a lineup of musicians for live performances. Bentham's intention was that the prisoners be placated through the fear of constant surveillance, which he described as “a new mode of obtaining power of mind over mind, in a quantity hitherto without example.” While the design did not come to fruition during Bentham's time, it has been seen as an impor… Collapse is a concept album themed around what Lunn regards as the inevitable ecological collapse of modern civilization. Bookchin argues that dissolving social hierarchies is a necessary step in ending destructive ecological practices. Marketplace 385 For Sale. Where upon the dead return to nature, interpreted as giving back their body to the earth and rejuvenating an ecosystem with their remains. The Panopticon is an instrument of economical surveillance—the very few bear a constant, watchful eye on the every movement of the many. I mean, just look at the name of Immortal’s 1992 debut album: ‘Diabolical Fullmoon Mysticism‘ – it says it all, really. The name of the album is …and again into the light.It consists of eight songs encompassing 70 minutes of music. Panopticon’s sixth release, 2012’s ‘Kentucky’, was my first introduction to the black metal sub-genre, RABM. Wolf shirt $ 17.00 Standing for “Red Anarchist Black Metal” for the uninitiated, other notable bands in this far-left genre are Iskra and American black metal legends, Wolves In The Throne Room. This on the theme of identity that plays so heavily in neofolk, but takes it decisively back from the far-right, who tries to essentialize it with race and gender. As I grow and change as a person, the subject matter of the band will continue to develop and change as I do. The Panopticon is an architectural design for a prison. As an FYI, “The Wolf in Man” is the animal that comes out of humanity when it enters a forest. Although, Wolves and Fauna don’t really make music that’s explicitly political. Their fans back in America were fucking livid! It's a one man project from the US, and he uses a lot of folk and bluegrass instruments; very unique. [2] The music features many familiar elements of black metal, but additionally incorporates bluegrass and Appalachian folk. The vinyl re-release features an Amebix cover, "The Beginning of the End", featuring Amebix's vocalist, Rob "The Baron" Miller. AL: Panopticon will always be an ideological band. Flag Burner, Torch Bearer 3. Guthrie’s anti-authoritarian politics may have been overlooked over the years, but his politics are exactly the sort of thing that invigorates albums like ‘Kentucky‘ and provides important historical context. In a coal camp born and bred Panopticon’s ‘Kentucky‘ doesn’t just dwell on the righteous anger of Woody Guthrie or the eco-centric themes in black metal; it instead combines the two. The watchtower is of central importance here. An important event in country music history was when Dixie Chicks called out George W. Bush for the invasion of Iraq in 2003, as well as the overall negative reaction from their fans afterwards. However, I’m not here today to wax-lyrical about the quality of the music itself. More recently, black metal has ditched the kitschy paganism and adopted a more varied set of beliefs about nature. So don’t talk to me about totalitarianism unless you’re willing to equally criticise organisations that stop you from working ever again because you didn’t sing the national anthem exactly right one time. Black metal has had a long appreciation for nature. As the project has gone on it has become more than that to me. Rank #3 for Metal Genre in Bogotá - In 2008 I start my underground musical process. The project began as a studio-only effort with Lunn writing and performing all parts. Panopticon’s subject matter varies including political issues, history, pagan spirituality, environmental issues and … Well, I think that’s a really good quote to end on, don’t you? It’s an important album if we want to think about the dredging and mining of the Great Barrier Reef, or the deforestation of the Amazon rainforest, or even current conversations about the treatment of coal miners in states like Kentucky or West Virginia. Panopticon is a one-man Folk/Black Metal band, formed 2007 in Louisville, Kentucky. And there’s more than one answer. Around this time, Panopticon released a second split with Wheels Within Wheels. The Scars of Man on the Once Nameless Wilderness is a two-hour double album with two distinct parts. Think James Cameron’s Avatar, just with zero tall blue people and way more grim riffs and blast beats. While a lot of folk and country music is nostalgic towards the past, and argues that it was a simpler time, Guthrie’s music was intensely critical of the present and looked to the future, which many people have forgotten. The use of protest songs and references to being the son of a coal miner take on much broader meanings if the despair and weariness of these songs are focused on the miner’s social position as an oppressed worker, rather than an oppressed coal miner specifically. Minnesota. I listen to a lot of sketchy bands, but it's simple to just look around them. All of Panopticon's albums apart from the first are concept albums. Ideals that are now romanticised as hard, simple meals for hard, simple people before all these avocado-lovers and their quinoa and turmeric lattes became so popular with the kids. The second part features mostly acoustic music; though occasional passages with electric guitar appear, the album is mostly bluegrass, folk, and country music with occasional influence from post-rock. The very first verse goes as follows: “They say in Harlan County The album discusses the labor struggles surrounding coal mining in Kentucky, with substantial samples from the documentary Harlan County, USA. Members: Austin Lunn [a1603949] Artist . All packaging in the initial release was self-created, and the songs were accompanied by lengthy essays Lunn had written describing their content. Speaking 5. The Wheels Within Wheels split included a bluegrass re-arrangement of a song from the first album and a song discussing the Haymarket massacre. Over time, we’ve all been fed the ideal of hard-working and hard living, but who profits from your poor living conditions and hard work? Intro 2. The Lake of Blood split included a metal song about the execution of Sacco and Vanzetti and a moody acoustic piece with samples discussing the genocide of American Indians. Just like Woody Guthrie’s music that I mentioned earlier, these songs have not lost their importance. The main argument of Marxism is that all of history is a class struggle between two groups: the hard-working proletariat (the workers), and the blue-blooded bourgeoisie, (the capitalists). I’m instead here to talk about how the album synthesises the themes and histories of country and black metal to elaborate upon them both; relating environmental concerns with anti-capitalism, two issues that are rarely handled this explicitly. This is his first of several releases not to feature printed lyrics, as Lunn felt they were too personal; he suggested in the liner notes that listeners could believe the songs were about whatever they wished. In 2009, Lunn released Collapse and two splits, one with Los Angeles-based black metal band Lake of Blood and another with Louisville, Kentucky-based avant-garde metal act Wheels Within Wheels. Social Disservices, Panopticon's fourth album, is themed around Lunn's criticism of the foster system and social services more generally. While he remains the driving creative force, Panopticon has since expanded to include a lineup of musicians for live performances. Emma's Song The album was later reissued as a two-LP set. On Panopticon’s ‘Kentucky‘, lyrics depicting the beauty of nature and our place within it are usually complicated by political issues. The Dixie Chicks were onstage in The Netherlands at the time, and said to the crowd that they were ashamed to be from Texas, the same state as their then warmongering president. In ‘Which Side Are You On?’, the lyric “My daddy was a miner” references how a lot of these miners grew up in full families of miners, who then end up passing their profession on to their children as well. Ultimately Panopticon is a band. Or a thug for J. H. Blair.”. For example, in ‘Bodies Under the Falls‘, the lyrics depict serene waterfalls and forests, but also describe how these forests and waterfalls were ancestral Native American lands – before those people were murdered and driven away from it. Subjects of their lyrics are History, Nature, left-leaning politics and philosophy and spirituality. A similar lyrical idea about human’s place in an ecosystem is the premise of ‘I Will Lay Down My Bones Among the Rocks and Roots‘ by Wolves in the Throne Room. Panopticon are a complex band, in an instrumental sense and the conceptual sense. Austin L. Lunn "A.Lundr" (originally from Memphis, Tennessee) is the person behind the band. A, the band’s only musician, states that Panopticon are, “a black metal band focusing on political and philosophical issues such as anarchism, objectivism, society, paganism, pantheism, Norse mythology/heathenism and beer. The Panoptic Sort: A Political Economy Of Personal Information (Critical Studies in Communication and in the Cultural Industries) And Panopticon has always been kind of thrown into the “political band” bucket because Panopticon has been expressly political in the past. Yet the message is also present in song names and themes too. Meaning that references to coal miners could be a metaphor for ALL workers while references to mine owners and operators can be a metaphor for the bourgeoisie and capitalists swine. The buffer between my brain and my heart is about that thin [creates a … ), Johannes Petereit (voc. When phrases like that come up, and they frequently do, ask yourself; who does your hard work benefit the most? Panopticon by Panopticon, released 01 May 2008 1. The project began as a studio-only effort with Lunn writing and performing all parts. The song takes that comparison even further in its lyrics, written about the Bloody Harlan mining conflict between mistreated coal miners and their operating overlords. The albums often vary widely in style, in many cases influenced by the subject matter. The album is themed around death and religion, and it incorporates substantial samples from the Swedish film The Seventh Seal. And I know what you’re thinking: “How can a guy who supported Stalin be anti-authoritarian?” Well, it depends on what authoritarian force you’re living under. Panopticon's self-titled debut album was originally self-released in 2008 on Lunn's own Lundr Records (Lundr is the Nordic form of Lunn's name; his family is of Norwegian descent). ), Gordon Herold (dr.) und Marius Muche (bass/voc. (I strongly recommend reading the Wikipedia page for both of those conflicts, as well as the far-left group, Redneck Revolt.). For a better understanding of that, we need to take a look at country music. There are two different people named Austin Lunn involved in the project. Lunn attempted a do-it-yourself production here, to his eventual dissatisfaction; as a result, it was entirely remixed and remastered in 2016, alongside Social Disservices, for a collection entitled Revisions of the Past.

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